We can start to conclude from research the Character later starts to become a little insane due to the oppression her husband John was giving her. Following on from above, the diary entry is written from Jane’s perspective, however, Stetson has successfully used this to inject John’s voice even into his wife’s most intimate thoughts, emphasising the conflict between them. One reason the husband has erroneous and destructive advice is that he refuses to listen to his wife’s thoughts and requests. That's why it is so important to know the story of this phenomenon and its depiction in literature. The story shows the physical and the declined mindset of women due to medically prescribed treatment of being allowed to do nothing. By then: There would be no one to live for her during those coming years: she would live for herself. Therefore, when she states how “it is such a relief!” to have an output for her feelings, it is much easier to trust the narrator’s judgement and conclude that the narrator’s eventual and arguably inevitable insanity it not because she has no ability of “rational thinking”, but because she is under the restricting control of a male dominated world; it is more the lack of public voice and isolation that is detrimental to her health and not the writing itself. Research indicated that “There is a dramatic shift here both in what is said and in who is speaking; not only has a new “impertinent” self-emerged, but this final voice is collective, representing the narrator, the woman behind the wallpaper (P. Treichler). References • Gilman, Charlotte Perkins, The Yellow Wallpaper, The Feminist Press, 1973. The continuation of such a view is evident throughout the beginning and middle of the novel with her refusal to name her husband Albert, instead referring to him as ’Mr______’. 9 Oct. 2014.
The Color Purple (1983) Penguin Classics. This is a very important thing when discussing female marginalisation, as the expected narrative voice of the omniscient narrator (at least before and during the nineteenth century, if not today) would have been expected to represent the prevailing masculine voice of society. They state, “Between the years of 1850-1900, women were placed in mental institutions for behaving in ways that male society did not agree with. This was apposite as the good Greek epic was recited not read. The literary element of mood portrays the atmosphere of the work through its words and descriptions in order to create an emotional response within the reader.
All in all, “The Yellow Paper” is a story Gilman writes to disarm society’s faulty understanding that women are fragile and incapable of intellectual stimulation. Did you ever figure the inclination would leave? John did not have an in-depth comprehension of her mental illness history and thus concluded that the narrator’s condition was as a result of postpartum. Despite the above reasons, the true problem that causes the narrator, Jane, to fall into her mental degeneracy is her husband, John. She subtly demands society to find another approach in viewing women, which in her view is strong, capable creatures who are entitled to creative capacity through writing and stimulating discussion. Get tips and ideas in OUTLINE. She continues on, narrating her erratic behavior by saying: “But here I can creep smoothly on the floor, and my shoulder just fits in that long smooch around the wall, so I cannot lose my way” (Gilman 656). Our editors will help you fix any mistakes and get an A+! His husband, John, who is a doctor, has diagnosed her with a nervous condition or a mild hysterical tendency. These authors present their female characters as self-assertive in a positive manner; however, the characters also acknowledge that the journey for ideal feminine freedom, liberation, and selfhood in the oppressive environment of a patriarchal society is extremely difficult due to societal scrutiny, self-scrutiny, the entrapment of the convention of marriage, and other social establishments. She was receiving medical treatment for her depression but the medication only […], Charlotte Perkin Gilmans short story The Yellow Wallpaper centers upon the topic of the oppression of women in the 1800s. In this article, “The Yellow Wallpaper” Gilman stated, “There is a delicious garden!”, Jane seemed to like the outside, this simulates that she would possibly want to be out more within the garden. Mood is one of the major literary elements which brings life and emotion to a story. In her mind, the garden represented a free existence where she was not bound to a bed and an unproductive and a beautiful world where creativity would be appreciated. It is quite alone, standing well back from the road, quite three miles from the village.” Jane wondered how her husband was able to find such beautiful vacation spot. The young lady notices this yellow wallpaper in one of the rooms in which she hated. Readers expecting the familiar masculine narration do not reject a female narrative when in epistolic form because it works within the expected position of women in society, as especially sensitive to the personal and familiar. In the middle of the story, the narrator’s physical health begins to improve and her husband is happy at this progress. Might as well speak of a female liver.” In short story The Yellow Wallpaper written in 1982 by Gilman from the first person perspective of an unnamed woman who is suffering from postpartum depression. John may have thought he was helping the situation, but like the patriarchy, he ended up becoming an overbearing presence to Jane and ignored her well-being, all of which only pushed Jane into a poor mental state. Within the story, the narrator constantly mentions windows, beginning in a positive light and slowly morphing into a negative light. This quote shows that Gilman believes that women will be healthier if their voices are permitted to speak and respected. Jane being a new mom, now suffering from postpartum depression, is not able to continue her role as woman of the home. Chopin also utilizes rich imagery to express Mrs. Mallard’s need for independence from her husband. However, she alerts him that she is “Better in body perhaps–” But her husband condescends and rebukes her: My darling […] I beg of you, for my sake and for our child’s sake, as well as for your own, that you will never for one instant let that idea enter your mind! The narrator states, “There stood, facing the open window, a comfortable, roomy arm-chair. The source of the narrator’s suppression is her physician husband, which Gilman uses as a symbol of larger society. In comparison, the protagonist from Kate Chopinr’s, The Story of an Hour, experiences the same oppression. This setting is one that Jane will never forget, the feeling it gave her, and the freedom in which she gained from it by losing herself in the wallpaper; a trapped woman that she freed by tearing the paper off the wall.
Within “The Yellow Wallpaper” Gilman gives light to mental illnesses and the importance of free will, and the female identity. By refusing to accept the woman’s mind as an individual and independent factor of her body and confining his wife to solitude, John the husband aggravates her situation.
Within the letter, Gilman explains that the short story is semi-autobiographical; Gilman herself was diagnosed with “nervous breakdowns tending to melancholia and beyond” (Gilman 1203). What initially started as a game in seeing the different patterns of the wallpaper changes into a real psychosis, and her state of mind is defined through her thoughts, “There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (1281). Her narrative is directed at the reader, so that the reader feels as if she has been included in an intriguing secret. Durham: Duke UP, 1997. When comparing the men in the ward with the Big Nurse in part 4 of the novel and the Chief admitting, “maybe the Combine wasn’t all-powerful” it could be argued that Kesey is implying that it is much more “insane” of the Big Nurse to have had so much control; the realisation of Harding towards the end of the novel that “perhaps the more insane a man is, the more powerful he could become” makes the readers question whether Kesey is really arguing that power is, or should be, the ultimate goal of the characters, or if it is just the strength to realise that no matter where or who they are, they can survive in reality.
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